MARKO BATISTA: TEMPORARY OBJECTS AND HYBRID AMBIENTS

NewMedia art exhibition

Koroška galerija likovnih umetnosti / Museum of Modern and Contemporary Art Koroška
Curator: Andreja Hribernik

Exhibition opening: FRI, 24 January 2014 at 6 pm
Koroška galerija likovnih umetnosti, Glavni trg 24, 2380 Slovenj Gradec

The exhibition entitled Temporary Objects and Hybrid Ambients concerns the unveiling of creative space established between art and technology. As an artist, Marko Batista is difficult to situate within a specific artistic direction for his works are created at the intersection of performative intermedia practices, sound and visual installations, and physical-sensorial experiments.
The basic principle of operation followed by the artist is the exploration of intermediate spaces both in the physical sense, where electronic signal – acoustic or visual – are produced via home-made interfaces, as well as in the ideational sense, where human perception is explored in a world suffused with electronic communication, digital devices and technology. Namely, human perception is adapted to a certain kind of use of technology and, therefore, it is limited to a certain type of experience. By creating hybrid technological, electromagnetic or chemical systems, Marko Batista challenges the mystification of technology while he also opens up new ways of thinking about it. With his experimental systems, which bring together various fields, he expands the field of human sensorial perception and the phenomenology of unstable audio-visual systems in space and time.
The exhibition responds to the exhibition space of the Museum of Modern and Contemporary Art Koroška and it works as an integral work of art, which makes it possible for the viewer, depending on his position in space, to get an audio-visual impression of the whole or of the individual modular objects. As regards content, the projects are divided into three exhibition clusters distinguished by the basic principle of “operation”.
The experimental systems of electromagnetic radiation and transfer of information deal with the exploration of visual and sound images, be it sound interventions in space or the fragmentation of media images in the transfer of information.
The cluster entitled Electro-Chemical Systems is based on the interweaving and the mutual impact of electric and chemical processes, in which electric impulses travel through a series of fluid matters, converge in spatial sound stimuli and produce unpredictable effects.
In the final, third cluster entitled High-Voltage Experimental Systems, the author explores the impact of high voltage, which enables the creation of specific architectonics of signals, whose mapping, manipulation and distribution with the system are manifested in the visual and acoustic field of the spectator confronted with real-time projections and a synchronous acoustic backdrop. The repetitive, mutating structures of audio and video elements trigger unpredictable effects at various psycho-sensorial levels of the spectator’s perception.
The artist’s installations reveal his specific relationship to technology, which, on the one hand, he demystifies by using “low-tech” elements and by visualising its processes, while on the other hand, he introduces the element of the unknown and he moves on the cusp between controlled and chaotic modular systems.
The artist’s intermedia practice also introduces the concept of time. By situating the event – the operation – in the museum space, he renders his objects permanent (for the duration of the exhibition) in their existence in the museum space and because they exist only through process – they are temporally limited, while the museum space loses its timelessness.
Nine projects will be presented at the Museum of Modern and Contemporary Art Koroška; they were created over the past six years and they offer and insight into the artist’s creative work.
The projects Error Trash, Hybrid Audio-Mechanical Machines and Bentronix were produced by the K6/4 Institute – Kapelica Gallery. The projects Parallel Digital Structures, H220, Time Diagrams, CHEM:SYS:REACTOR and Optolyth were produced by the Aksioma Institute. The project SIPHON:SYS:APPARATUS was produced by the author.

The exhibition is co-produced by Aksioma – Institute for Contemporary Art, Ljubljana, and Museum of Modern and Contemporary Art Koroška.
http://www.aksioma.org/temporary.objects/
Curator: Andreja Hribernik

Technical support: Maja Brezar, Urška Batista, Žiga Palčar, M7 Grafiks, Dejan Kastelic
Partners for technical equipment: Zavod K6/4 – Kapelica gallery, Zavod Projekt Atol

Supported by:

The realisation of the exhibition is funded by the European Commission in the frame of the project Soft Control.
The content of communication is the sole responsibility of the author and in no way reflects the views of the European Commission.